The Righs are one of those bands who have been around for a long time, but you really don't hear enough about. If you're not from the Oklahoma City area, there is a slim chance you've seen them live.But this Celtic punk outfit is well worth the effort to see live. I was lucky enough to find this band my band opened for The Toasters in Tulsa around 2010, and they kicked off the show. After watching their energetic set, I couldn't help but wonder why we they weren't playing right before the headliner.
Jump to 2013, the band is in the process of recording their third album. The whole band was kind enough to spend some time answering questions.
PIOK: Could you
introduce yourself and tell us what you play in the band?
NATE: My
name is Nate Williams. I play acoustic guitar and am one of three lead
vocalists (along with Jack and Omid).
JOHN: Sure thing... John Slawson - bass.
JIAN: I am Jian Azimi and I play the fiddle!
JACK: I'm Jack Smith, and Omid Nowrouzi and I play whatever's
necessary.
OMID: Balls.
RONNIE: Yeah, man! I'm Ronnie Meyer. I play the drums.
PIOK: How did The
Righs come together?
JOHN: “Hey, I play and you play so let’s play? Cool.” “Oh, you
want to play too? Cool.” Bam.
PIOK: I have heard
the band’s name pronounced several different ways, what is the proper way to
say it? What does it mean and how did you decide on it?
NATE: This is something that we’ve been correcting people on for
years, but we kind of brought that on ourselves by picking a weirdly spelled
name. It’s pronounced “rigz” with a hard “g.” A lot of people pronounce it as
“rise” when they first say it. Righ is a modern spelling of the Gaelic word Rí,
which means “king.”
JOHN: We picked it because our previous name ended up
belonging to another band overseas.
PIOK: You’ve been
a band for around eight years now, right? How has the band changed from when it
first started?
JACK: We started by figuring out some sort of base to build the
band on, then skewed way away from that, and now I feel like we've come back a
bit wiser for it.
JIAN: There’s a lot of input that comes in now from all sides.
Omid has taken a larger role in writing songs that have a different mood and
feel than what Nate and Jack provide. The drummer position was also a hard one
to nail down. I can’t even keep straight how many we've had… Four? Five?
Anyway, when Ronnie came on board, the relationship of the band as a whole got
tighter, and I think we enjoy playing our music even more.
PIOK: You are
currently working on your third full length album, how is that coming? Can you
give us some details on the album itself?
JOHN: I think that, the first time, we sank into the swamp, and
the second time we burned down, fell over, and then sank into the swamp. But
this time... well, it should be good to go.
NATE: I
will say that we’ve got a great engineer/producer, Jeremy Ralstin, we’re
working in a really high quality studio, and we’re recording songs that people
have been bugging us to record for years. We’re feeling pretty confident that,
no matter what form it takes, this is going to be a great release and we’re
hoping to turn some heads.
OMID: Mary
Tyler Moore.
PIOK: I think Omid
hit it right on the head. Is this album much different than your two previous
offerings? If so, how did that difference come about?
JACK: It's somewhere between
the first two. Like I said, we came back to our roots a bit more on this one.
PIOK: What was the
process for writing this album?
JOHN: The process for this release has been much like
it’s always been. Typically, one of us will write the basics of a song, the
lyrics, chords, maybe a melody or two, and then everybody else contributes
their own ideas on how to make the song better. While we may still say “That’s
Omid’s song,” or “That’s Jack’s song,” the reality is that we have a very
collaborative songwriting style.
PIOK:The most
common description of your sound is Celtic-punk. How did the Celtic sound
develop for you?
NATE: The
big thing is it was a sound that we enjoyed listening to and enjoyed playing.
It was a conscious decision, rather than where we ended up.
JACK: Through heritage and research
we've tried to create a Celtic yet modern sound that's all our own.
PIOK: The band
lists its influences as everything from Flogging Molly, to The Mighty Mighty
Bosstones, to Chuck Berry. How did/do all of those sounds come together to form
your music?
JOHN: Here’s the thing, our influences change, depending on who
in the band you ask. I think that we all have our own personal influences and
just choose personally what to bring to the table with this band.
JIAN: There are a lot of talented people playing in this band,
the different inspirations and influences come from each person. At times, when
songs are developing, ideas and lines can get crossed and muddled. Fortunately,
everyone is receptive to constructive criticism and the songs all work out
well.
PIOK: Which local
bands do you like playing with the most? Are there any Oklahoma bands who you
feel have been instrumental to where you are now as a band?
JOHN: I’m going to sidestep this question and say that it doesn't matter what band it is, or even what genre they play. It’s a good
attitude and a sense of comradely that makes playing shows anywhere turn out to
be a good time, no matter what the venue is or how big of a gathering.
PIOK: Where are
you favorite places to play live?
JOHN: That depends on how patient and enthusiastic the person running
sound is with us, on the atmosphere that the people (including ourselves) bring
in, and on the amount of alcohol imbibed.
PIOK: How many
shows do you play a year?
NATE: It
varies. With so many of us in the band, all of us with busy schedules,
significant others, etc., it can be difficult. I think we've already played
more shows this year than we did in all of 2012. Ballpark is probably 20-30
shows a year, normally.
PIOK: Thanks for
taking time to answer questions. Where can people go to hear your music online?
All kinds of places!
You can purchase it from iTunes, eMusic, Amazon, cdBaby,
and just about any other digital music retailer as well.
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